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Slaughterhouse-Five, a fatalistic, despairing work, is perfect radio listening for a Sunday afternoon.
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It’s not the death of the wine-soaked celebrity chef that has been changing TV cookery shows, but the recession
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Forget about the Lisbon Treaty vote and the economic crisis, the burning topic in Ireland is the new Late Late Show host
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Most of us associate Futurism with painting, but as Radio 3 recently revealed they made music - well, noise - too
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After a decade of decline, the semi-silly science programme is making a comeback – will it inspire kids to become geniuses?
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The eclectic mix of re-runs on ITV4 remind us that mainstream, commercial television could be great.
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Instead of rubbish new productions, cash-strapped channels like ITV should plunder their vaults for some TV gold
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The Irish veteran's warm-hearted whimsy is far preferable to the quarrelsome heavyweight news on Today
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From Angela's Ashes to Who Do You Think You Are?, the Emerald Isle is still a reliable source of self-pity
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Swearier, flashier, gayer and set in Cardiff, BBC’sDr Who spin-off Torchwood shows UK sci-fi can’t take itself seriously.
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A brilliant documentary on the Apollo missions reminds us that, yes, going to space is a risky business, but it's worth it
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Radio producers think phone-in shows are democratic. In truth they’re stuffed with whiny, clichéd invective
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If TV panel shows are confrontational and laddish, female performers should stop moaning and get stuck in
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The third series of the comedy duo’s sketch show is too self-referential and knowing to be funny
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BBC4’s Meet the British showed us how the UK saw itself in the past, but only to snigger at our forebears’ misplaced optimism
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The Radio 4 tribute to Clement Freud showed that the BBC at least still does good radio
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BBC One’s Why Poetry Matters was a noble idea, but it proved to be more patronising than inspiring.
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This week’s Horizon programme on violence showed that even pacifists can get a kick out of a punch-up
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BBC2’s Best: His Mother’s Son was a poignant tale about how alcoholism can ruin the lives of the most unlikely people
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Mark Steel's sharp and self-deprecatory humour shines through in his new laugh-out-loud radio show
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Embarrassing Bodies is only a symptom of the deeper disease of dumbing down that now afflicts Channel 4
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As yet another ‘world’s toughest job’ show, Oil Riggers feels like a substandard rip-off with a Texan accent
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Cult comedy Red Dwarf, set on a spaceship, is returning to our TV screens, with an injection of postmodern irony
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Forget Fred the Shred: in his weird, garbled tones, it’s the BBC’s business editor who’s been talking us into a recession
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As two BBC documentaries revealed this week, we really need those 40 winks; without them, we'd go mad
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Amish communities are often depicted as a monolithic ‘Other’ to modern society, but the truth is far more complex
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It’s a nice little earner for Shane Richie, but the remake of the Eighties favourite takes a few ‘diabolical liberties’
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Yes, swearing can be a substitute for real humour. But used wisely and judiciously it can also be subversively witty
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From isobars and trained meteorologists to 3-D graphics and pretty faces, the evolution of weather forecasts is telling
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We should resist demands to ‘sex up’ snooker: this sport requires patience, silence, decency and dickie bows
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True or false: the one-off Christmas special of Vic and Bob’s cult quiz show proved it still has comedy cache?
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Multi-channel, multi-platform TV limits moments of shared viewing - and the need for someone to write about them
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As the BBC’s recent Horizon programme proves, challenging, thought-provoking TV just needs a little time
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The BBC’s new series, in which millions are wiped out by a virus, is perfectly attuned to the gloom of the moment
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The BBC’s latest high-profile documentary on the Second World War finds a new way to tell us the blindingly obvious.
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Channel 4’s Rich Kid, Poor Kid was a hackneyed examination of class warfare. But it was touching all the same.
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The Unsinkable Titanic told the story of the doomed liner without the usual waves of misanthropy and anti-science
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Murder mysteries are titillating and intriguing in literary and cinematic forms, but TV just can’t seem to pull them off.
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From The Colbys to Joey, TV is known for its dodgy spin-offs. Now even a quiz show is spawning new versions
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A TV doc reminds us that even failed space missions can be inspiring. Surely it’s time we returned to the moon?
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Trite, inconsequential, and aimed at bored women: why celebrate this show?
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He used to be a sleazy hack, but the formerMirror editor’s honest interviewing style is a breath of fresh air
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UKTV History shows that commercial channels can provide enlightening programming, too
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Tania Head, who achieved fame posing as a survivor of 9/11, grasped the source of modern celebrity: victimhood
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Forget indie and punk and their conformist ‘anti-establishment’ views. Heavy metal is the real music of rebellion
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It was a bit much to watch the creator of hundreds of TV victims posing as an ersatz ‘Holocaust victim’ on BBC1
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With Des O’Connor and Carol Vorderman departing, the end is nigh for Channel 4’s words and numbers quiz