Showing posts with label Catholicism. Show all posts
Showing posts with label Catholicism. Show all posts

Monday, 13 November 2017

Spiked, November 11, 2017



Remember, the past is a foreign country
It’s wrong to judge people of the past by today’s moral standards.

Tuesday, 22 July 2014

in The Catholic Herald, July 18, 2014

Even bishops are forgetting the community
Notebook, Patrick West
 
Whenever an Anglican bishop makes the headlines, I find it hard not to think of Dr Spacely-Trellis, the fictitious Bishop of Bevendon. The monstrous creation of the Daily Telegraph’s late Michael Wharton, he was the trendy, go-ahead cleric who wants to jettison such “outmoded” ideas as belief in the Immaculate Conception, the Trinity, the Resurrection and so on.
 
The latest real-life candidate is the Bishop of Oxford, the Rt Rev John Pritchard, who has called for an end to mandatory collective worship in schools. The 70-year-old legal requirement belongs more to the 1940s, he says, than to a 21st-century Britain in which Christianity is but one faith among many (and none). 
 
The comparison with Wharton’s grotesque is admittedly a little unfair. One of the Church of England’s greatest merits is that it’s never really been literal-minded. My father, for example, would always conscientiously go to St Giles-in-the-Fields in central London to sing hymns and hear sermons about the Somme, and he still enjoys Songs of Praise. But like many church-goers, he’s never been especially interested in the theological aspect of religion. And like many conservative Anglicans, he is suspicious of Evangelical "do-gooder” types.
 
To my father, being an Anglican and singing hymns is merely part of being an Englishman. And now that the Irish community in England has to all intents completely assimilated, a similar case could be made for the ritualistic, congregational, community-centred nature of English Catholicism.
 
In my mind, the real problem with religion, and indeed atheism, is when it forgets its communal role and starts to become too literal-minded. Witness the wilful ignorance of young earth creationists or bellicose homophobes who cherry pick Leviticus – or, even worse, intolerant Islamism. Richard Dawkins’s reported disapproval of telling children fairy tales is a milder version of this mindset, as is the Bishop of Oxford’s opinion on daily prayer in schools. Both the bishop and Dawkins overlook the role of communal ritual, religious narrative and England’s Christian heritage.
 
Far from creating imaginary divisions, daily acts of communal ritual bind people together. As Jonathan Sacks argued in his splendid 2009 book, The Homes We Build Together, the best way to bring people together is encourage them to do things together. This is the key to creating harmony in a multi-ethnic country such as ours – not to “respect” or “celebrate” difference, but rather to ignore difference.
 
Of course. a lot people do take their theology very seriously. But my hunch, as an ex-atheist, born-again agnostic, is that most Catholics and Anglicans go to church on a Sunday more for the ritual, the stories, the sense of community and the sheer mental escape, rather than for answers to the big questions. Even religious groups who aren’t big on theology, such as the Quakers, recognise the importance of communal ritual. 

I have a friend, who now works on the Guardian, whose Hindu parents came from India, and yet he attended a Quaker school in Reading. He’s an exemplar of how multicultural Britain is a success story when we don’t make a fuss about cultural difference, but instead concentrate on what we have in common. A basic Christian daily ritual offends only attention-seeking self-flaggellants.
 
This brings me to another fictitious cleric, Fr Dougal Maguire from Father Ted who, when asked his thoughts about religion, replied: “Ah, come on. You’re not meant to take it seriously.” Most of you wouldn’t agree, of course, but these words are worth thinking about the next time you’re at Mass: the very act of communal prayer might sometimes be as important as what is said during it.

Thursday, 5 December 2013

in The Catholic Herald, November 28, 2013



Libraries are driving atheists into churches
Notebook, Patrick West


I have started going to churches again – something I never would have expected of myself 10 or 20 years ago. Am I becoming a lapsed atheist?

You see, when you’re in your 20s and politically minded, you’re pretty sure of everything. While I was not quite the angry New Atheist – I always retained my affection for the faith of my upbringing – I was very much a literal-minded atheist. Transubstantiation, miracles, horoscopes, alien abduction and so on: all such phenomena I smugly dropped into the mental categories of unreason.

Yet one of the welcome benefits of approaching 40 is coming to appreciate nuance. The ideologies of libertarianism, atheism or socialism are fine for young ideologists, but encroaching middle age teaches you that life consists of compromise and doubt.
So does learning a second language, where most people discover what the subjunctive and conditional states are: what might be and what could be. 

I like to study languages in public libraries, erstwhile areas of quiet, but for some years now noisy “community centres” full of computers and arguing couples. Harrumph!
So exasperated at this trend, I stormed out of Sandwich Library one day this summer, having admonished its librarians for their incessant chat. I found refuge in St Peter’s, now in the care of the Churches Conservation Trust. It provides a table and chairs for reading and contemplation. I had a productive day in this wonderful edifice, and where Thomas Paine was married under an onion dome built by 17th-century Flemish refugees.
 

I do most of my work and reading in places of quiet here in East Kent, and increasingly this has involved seeking solace in churches. In Canterbury recently, a visit to the cathedral ended up in accidentally participating in Evensong, and I have since spent a lunch break in the city’s Catholic church of St Thomas.

On one Saturday in Folkestone, after the library shut, I enjoyed a pleasant hour reading Inspector Montalbano in the Church of Our Lady, Help of Christians. This building is not only lovely for its serenity, but for its folkloristic aspect. Here, Fr Stephen told me that it’s one of the few remaining churches in eastern England that retains statues of the saints.

I know many non-Catholics dismiss the cult of saints as borderline polytheism, but saints and heroes do have a fundamental appeal to human nature. We all need someone to inspire us. What else explains today’s cult of Malala Yousafzai or X Factor hero-worship? What Catholic Herald reader didn’t want to know more about St Jude after the recent storm? As for me, I no long scoff at my mother’s exhortation to pray to St Anthony if I’ve lost something important, because, well, it actually works.

This church in Folkestone also has an inspiring Stations of the Cross, which I also used to find funny as a boy – my mum sent me home from Our Lady of Victories, West London in 1983, furious that I kept exclaiming “Choo! Choo!” at every “station”. But the Stations of the Cross, like the martyrdom of St Thomas Becket, are reminders that life can be a struggle, and when times are tough, you can forget that everyone else also has problems.


 The Church is getting a good press at the moment under Pope Francis, yet I think it could go one better. We live in an increasingly noisy world, where even libraries no longer afford tranquillity. Wouldn’t it be a great advert for the Church if it opened up more of its buildings and rooms as places of study and contemplation? It would be a wonderful way of connecting with the community at large, with people of no faith, with doubters and with the plain curious.

Patrick West is a columnist for Spiked-online.com

in The Catholic Herald, November 28, 2013



The Mafia cannot keep its stranglehold on Italy

Popes, judges and shopkeepers are leading resistance to organised crime, says Patrick West

Mafia Republic, by John Dickie, Sceptre, £25


How do you think Italians react when you mention you’re learning their language? With happiness? Interest? Gratitude, perhaps. No. Invariably, it’s something along the lines of: “Why do you want to learn my useless language, or learn about my hopeless country?” Despite our perceptions of the Italians as an amorous, stylish, artistic and sonorous people, when it comes to talking about their country today they’re a profoundly gloomy lot.
 

It’s not surprising, really. Anyone who follows Italian politics knows how embedded organised crime is in that country, and how for decades an endless stream of politicians, businessmen, architects and doctors have been bought by the mob. Many Italians regard their country almost as a failed state. Even so, Mafia Republic is still a shocking dissection of the rise of Italy’s three main organised crime fraternities: Sicily’s Cosa Nostra, the Neapolitan Camorra and the Calabrian ’Ndrangheta. 

The ’Ndrangheta is now the world’s most powerful mafia, which account for three per cent of Italy’s GDP alone. In Sicily, the mafia even tax petty criminals: burglars have to ask permission from the Cosa Nostra before they break into a house. John Dickie’s book exposes not just the level of corruption and extortion, but the depth of its reach.
 

How did this happen to one of Europe’s greatest countries? The author dismisses the theory, favoured by some northern types, that lawlessness is inherent to the southern Italian character. Rather, he attributes organised crime to the youth of the Italian state (united in 1861, a democracy since 1946), and the fact that it remains regionally disparate – culturally, politically and linguistically. Young democracies of this type are always unstable. Dickie challenges the belief that Mussolini crushed the mafia. Rather, Il Duce banned all mention of it in the media, in the hope it would quietly go away. 

The state continued to wish away the mafia after the war, with lamentable consequences, leaving the three main mafias to fester in parallel with the booming economy. The ’Ndragheta were only officially recognised in 1955 and, most shockingly, a witness protection scheme wasn’t initiated until 1992.
 

When the state did act, it often worsened matters. Mafia activity increased on the mainland as a direct consequence of imprisoning Cosa Nostra convicts on it. “God bless these prisons!” exclaimed the Camorra member Gaspare Mutolo in 1976, after his arrest for heroin trafficking. The Camorra had previously been an association of petty thieves and smugglers, but having been introduced to Sicilian gangsters to jails in Naples and Campania, their members moved on to more ambitious criminal activities.
 

Unlike France or the United States, Italy didn’t join in the war on drugs, and consequently it was Mutolo’s Camorra that re-routed the “French connection”. Naples became the new Marseilles, massively enriching the prestige, power and influence of the mafia bosses, and simultaneously spreading misery. 

By 1980, Italy had more heroin addicts per head of population than the United States. By the turn of the millennium the mafias had power bases not only in the north of the country, but also in Germany, Australia, Argentina and beyond. The illegal construction of houses is still rampant, as well as of massive towns without schools or hospitals, with potentially fatal consequences. (In July this year, 39 people were killed after a bus careered off a shoddily built viaduct.) One statistic sticks out: during the 1980s an estimated 10,000 people were killed in southern Italy’s mafia wars. That’s more than three times the number killed in 30 years of Troubles in Northern Ireland. Strangely, one of the most alarming constants of this book is not its gory narrative, but the degree to which the now defunct Christian Democracy party was involved in organised crime at an individual level. No wonder the country’s youth were drawn towards the Red Brigades in the 1970s and that many didn’t appear to muster much sympathy during the kidnapping and murder of former Christian Democrat prime minister Aldo Moro in 1978. Italian youth then drew little distinction between politicians and gangsters. 

But it’s not all gloom. Dickie believes that the mafia’s days are now numbered. Following the mayhem of the 1980s, a new resolve emerged, one epitomised by the fearless campaigns of two judges, Giovanni Falcone and Paolo Borsellino. By 1992, both knew that they were walking corpses. Falcone was killed by a bomb placed underneath a motorway on May 23 that year. Borsellino waited 56 days, frequently going out alone to buy cigarettes in the hope he would be shot dead alone, before a bomb killed him and six others. Both judges were Sicilians. Both were ready to die for their homeland.
 

Suddenly, it wasn’t only the Communists speaking out. In 1990, John Paul II told an audience at a football stadium in Sicily not to be seduced by the mafia’s “culture of death”. He said: “Convert! Because one day that judgment of God will come!” By now, writes the author: “The Vatican had abandoned its traditional misgivings about the anti-mafia cause. Cosa Nostra, finally, was anathema.”
Shopkeepers formed an organisation called Addiopizzo (“Goodbye Extortion”). They signed a public pledge not to pay protection money; and consumers signed a pledge to patronise businesses that did not pay. This surprisingly simple idea worked: mafiosi couldn’t be bothered with those who made the pledge. The mafia is now quite literally going underground. In Campania and Calabria the powerful bosses have taken to building underground bunkers as mafia hunters have become ever more expert and determined.
 

Although written in slightly breathless prose, Mafia Republic is an excellent achievement. It may be an indictment of Italy’s rulers, but it offers much hope. My generation grew up assuming mayhem and murder in Northern Ireland was the norm. Let’s hope tomorrow’s Italians will one day think of kidnappings and assassinations as things that happened in the bad old days.

Sunday, 15 September 2013

in The Catholic Herald, September 13, 2012




Cheap Thrills

Despite some great set-pieces this novel of the 16th century has no heart, says Patrick West

Altai
BY WUN MING
VERSO, £16.99

Wu Ming is not a real person, and the title of this historical novel is irrelevant (“altai” is a type of falcon, but like Trainspotting or Reservoir Dogs, it tells you nothing of the plot). With this in mind, the reader might expect a self-consciously postmodern book, it being the creation of a four-man collective of Italian anarchists. As it happens, Altai turns out to be a rollicking, swashbuckling adventure story set in the late 16th century, the backdrop being a war between the Ottoman Empire and forces loyal to the papacy.


When a fire breaks out in the Arsenal of Venice in 1569, everyone blames the arch-enemy of the Republic, the dastardly Giuseppe Nasi (“The Sultan’s favourite Jew” – a kind of Bin Laden bogeyman). But it is the city’s chief spymaster and torturer, Emmanuele De Zante, who is framed for the blaze, and accused of being a spy himself.

Having escaped jail, De Zante flees to the Balkans, rediscovers his own Jewish roots, heads on through Salonika to Constantinople, and ends up working with Nasi himself. With the patronage of Selim II, Nasi seeks ultimately to build a new Zion in Cyprus. A great religious war ensues when the Turks invade the island, reaching its terrible conclusion at the Battle of Lepanto.

Altai is the follow-up to the collective’s novel Q. Like its predecessor, it’s been a best-seller in Italy. It’s not hard to see why: Altai is gory, epic and sensual, constant with themes of love and betrayal. It’s written in the first person, present tense, in a staccato style that gives it irresistible momentum. At times it has the feel of a detective novel, with each terse chapter ending with a cliff-hanger worthy of Philip Marlowe or a 1970s cop show. (For example: “She left without a sound, leaving me prey to my obsessions, my eyes lost in the night.”)

Wu Ming’s underlying motive, of course, is political: to channel and echo the sentiments of Europe’s disillusioned youth, to the discontents and malcontents who feel betrayed by their elders and rulers. 

Corruption and deception are pervasive in Altai. Venice is a sordid state riddled with anti-semitism. The papacy is rapacious and cynical. The Ottoman Empire, while superficially tolerant and multicultural, is as scheming as its main foe: the Sultan fabricates a pretext for invading Cyprus – a nod, again, to real-life geopolitics.


Like a Sergio Leone film, there are no good guys or bad guys, and no redemption – only the inevitability and thrill of violence: “We fought for ages, acrid smoke and the smell of death filling our lungs … The clash dragged on in a hideous balance of death, attacking, retreating, gaining a few feet of ground, with shouts, curses prayers, insults, music, hissing arrows, roaring arquebuses, the smell of combusted bodies, of burnt wood”.
Throughout, De Zante agonises over his maternal religion, embracing then rejecting his Judaism in turn, seemingly condemned to be the wandering and wondering Jew. He is a man utterly self-absorbed with his identity, a veritable embodiment of Generation Me.

The success of this novel is a depressing sign of the times. Altai, in a perverse way, is a marvellous work, with its stirring pace, attention to historical detail and linguistic wordplay. (If you speak a Romance language you will understand the lingua franca spoken by its seamen: “Kon una barba blanka ke lo faze pareser un profeta.”) But it’s cheap thrills all the same. This book has neither heart nor feeling. It solicits no sympathy. In the end, I didn’t care what happened to the protagonists. There was no one I wanted to live and no one I wanted to die. How strange that such an immense piece of work can feel so hollow. 

Wednesday, 24 April 2013

in The Catholic Herald, April 19, 2013



Come on, you saints
Patrick West on why so many priests love the beautiful game

One of the great comic devices of the television comedy Father Ted was
having Ardal O'Hanlon's Fr Dougal wear a Republic of Ireland football shirt
in bed. Good comedy is often based on incongruity - a horse walks into a
bar: "why the long face?" - and whereas there's a common perception that
priests are responsible, kindly and serious types, football conversely
brings to mind stereotypes that are more aggressive or frivolous. To connect
things that belong in opposing mental categories is funny in both senses.
Putting priests and football together makes us smile. Hence the graffiti
legend: "Jesus Saves ­ but Keegan scores on the rebound."

This was why much of the media thought it a wheeze to report that Pope
Francis is a card-carrying fan of the Argentinian football club San Lorenzo.
The Sun certainly did so with a gallery of photographs of him holding aloft
a replica shirt and club flag. That newspaper also had a striking headline
after Pope Francis's election: "The New Hand of God", a reference to
Maradona's fist, which put England out of the 1986 World Cup. And it's the
reason why one of the most celebrated Father Ted episodes is the one about a
match.

When you think about it, football and faith is not really an unlikely
association. At the beginning of the 20th century, a Buenos Aires priest
named Lorenzo Massa, who was concerned about children playing football near
tram tracks, told the boys that they could instead play in the church's
backyard - as long as they went to Mass on Sundays. A football club was
eventually established in 1908, and although he initially refused the
honour, Lorenzo finally accepted the proposal to name it after him.

San Lorenzo team's nickname, "the Saints", is the same as Southampton FC's.
The English clubwas founded by members of the St Mary's Church of England
Young Men's Association ­ a reminder of how sport and muscular Christianity
were intertwined in Britain. The Northampton Saints rugby union team was
established in 1880 by a vicar for this reason, and in Ireland the clergy
were at the forefront in the creation of the Gaelic Athletic Association. So
while it might appear odd to many atheists when American Football players
kneel to praise God, or southern European footballers cross themselves
before games (by my logic, asking God to make the other team lose), it's
only superficially irrational.

In 2009, a priest in Manchester who reads the scores after the Saturday
evening Mass was quoted saying he asked worshippers to pray for Manchester
United victories. But Fr Paddy McMahon, of St John's in Chorlton, hastened
to add: "...and Manchester City, but then they really need it! It's a bit of
fun." (His prayers came true: City won the league last season). You'd have
to be rather dim to take his exhortations literally, and Fr McMahon
explained that "talking about football at the end of Mass means people leave
with a smile on their faces". The spectacle of a group of people seen
leaving a church smiling: what a fantastic advert for the Church.

Indeed, some have used football deliberately this way. In 2006 Fr David Cain
of St Barnabas, Nottingham, established a "World Cup chapel" to coincide
with a poster recruitment campaign for the priesthood. Fr Cain was also
asked about partisanship and its potentially divisive nature. "Although,
understandably many people will be fiercely cheering on their own nation,"
he said, "sport generally, and football in particular, can provide a great
bridge in promoting harmony between nations despite differences that exist
in race, religion or politics."

Like religion, football teaches you life lessons. It instills discipline,
hard work, self-control and self-respect. It makes you value leadership and
the virtues of co-operation, and to realise that there are some situations
you can't change and some you can. This is why Christians of the 19th
century were so keen on football. It's true that money has ruined the game
in recent years, but that's because footballers have become spoilt. The
sport remains inherently a good thing.

These are some of the reasons why in 2007 the Vatican established its own
domestic competition, the Clericus Cup. It was the creation of Cardinal
Tarcisio Bertone, a fervent Juventus fan and a football commentator in a
country beset by corruption in politics and sport itself. It was devised
consciously as a way of setting a good example.

The relationship between football and the Church in Italy has always been a
close one. As an expert on Italy, Paddy Agnew puts it: "Ninety-six percent
of Italians are nominal Catholics, but the same 96 per cent are committed
football fans." Most children play their first game at church-run youth
clubs, and a lot of priests remain players. For them, the Clericus Cup can
serve as a reminder in humility. Players must do community service if they
are issued a yellow or red card. A player given a blue card is sent to a
"sin bin" for five minutes of contemplation ­ perhaps even to ask for
absolution.

As the captain of the British team, Tony Preston, reflected after losing to
a team of Croatian priests in the 2008 semi-finals: "The whole idea, not to
get too heavy, is the idea of sport bringing the finer qualities out of
humanity, like humility in victory and gracious in defeat ­ we've got a bit
of experience in that." Sport and religion can be an ideal combination. As
in life, football teaches you that you win some, you lose some. Apparently,
however, football has no agreed patron saint. A fine choice would naturally
be St Mirren.

Patrick West is author of Beating Them at Their Own Game: How The Irish
Conquered English Soccer (Liberties Press, 2006)

Thursday, 11 November 2010

From The Catholic Herald, November 5, 2010




A demonic scheme to destroy the Dutch Jews

Reprinted from The Catholic Herald

Ashes in The Wind, The Destruction of Dutch Jewry
By Dr Jacob Presser
Souvenir Press, £15

In the popular imagination, when one thinks of the fate of Dutch Jewry in the Second World War, the lives of Anne Frank, Edith Stein and Charlotte Saloman spring to mind. More recently, Paul Verhoeven's 2006 film
Zwartboek (Black Book) has raised consciousness as to the miserable fate of Jews in Holland during that conflict.

Although
Zwartboek received many awards and accolades internationally, reaction to it in The Netherlands was decidedly mixed. This owed to the fact that the movie was a tale of ambivalence, in which not all Germans were portrayed as evil, many Dutchmen were showed as being complicit with the Nazis, and in which some Jews were depicted as collaborating against their own people to save themselves. By eschewing a Manichaean narrative, Verhoven's film proved difficult to digest among compatriots who wanted to believe that their grandparents had behaved better.

Ashes in the Wind, first published in 1965 and released in a new edition, had a similar effect on the reading public. Its central theme is that war can make good people do bad things, and how ideology can make good people behave with appalling inhumanity - and not just the perpetrators of an ideology, but sometimes its victims, too.

In a world where the boundaries between good and evil are perennially questioned and doubted, the Holocaust is often invoked as an ethical reference point, to affirm that morality is not perspectival and provisional. This is one reason why discussing the Holocaust has become problematic. But long before postmodern historians and far-right anti-semites came to be accused of belittling the Holocaust, Dr Presser - a Dutch Jew who survived the ordeal - reminded us that we cannot comprehend this catastrophe with childlike simplicity.

The Jew/German Nazi dichotomy collapses here on many fronts. It was not only Nazified Germans who were responsible for effecting the Holocaust, such as the concentration camp
Kommandant who gave his son fifty Jews for target practice as a birthday present, but ordinary Germans who sank to levels of barbarity. In the Amsterdam house raids of July 1942 "German female employees hung out of the windows taking snaps for their albums and, judging by their screams of laughter, were having a highly enjoyable time; several German police officers joined in the merriment, which increased to hilarity when a young Jewish women, suddenly wrenched away from her pram and child, had a fit of hysteria".

Elsewhere, there are tales of German remorse (or at least displays of it): the Commander of German Security Police and Head of
Zentralstelle consulting a rabbi, cursing "the fate that had put him in this predicament", or of a German soldier "who got drunk every night to forget his part in gassing Jewish children in trains. He could not put it out of his mind and kept thinking of his own five children."

Additionally, the Germans did not regard "the Jews" as a coherent ethno-religious group. They showed little interest in monitoring and rounding up the "Portuguese Jews" (presumably, Sephardi), which adds weight to the argument that Nazi anti-semitism was racially, rather than religiously, inspired. Indeed, the Christian churches mostly conducted themselves courageously. The Catholic hierarchy constantly spoke out against the incremental measures taken against Dutch Jews. The Lutheran Church was somewhat less forthcoming. But the real heroes of the appalling episode were the Calvinist Dutch, who, the Nazis complained, sided with Dutch Jews at every opportunity for " 'so-called' reasons of conscience". (Many Gentile Dutch men and woman were as brave as to display solidarity by wearing yellow stars; still, Holland had the highest collaboration rate of all the German-occupied European countries). Perhaps this denomination's resistance can be partly explained culturally, in that Calvinists, who traditionally shunned idolatry and ritual, may have been immune to Nazism's seductive use of icons and lavish ceremony.

There was cleavage within the Jewish community, too. In the transit camps antagonism arose between Dutch Jews and German Jews, the latter accused by the former of "behaving like a caste, an oligarchy... and [who] far too often showed a 'German' predilection for bossing people about". There were even Jews who remained members of the
Nationall-Socialistische Beweging in Nederland, a Dutch political party that may have not have began as anti-semitic, but by 1940 certainly had become so.

In this essential work, Dr Presser directed his most concentrated opprobrium towards the Jewish Council of Holland itself. German Nazis were objectively the villains here, of course; but he intimates that the Jewish Council's betrayal of its own people was ethically even less defensible.

The Nazis sought to get rid of the Jews by stages, with little disruption as possible. To do this they need co-operation from the victims themselves. The invaders followed threats and instructions with concessions, and the Jewish Council duly appeased, hoping that by sacrificing a few the majority could be saved. This ingoing game of cat and mouse had a salami-slice effect on the community, which withered. The Nazis had established a daemonic scheme which had chilling consequences, and that "by granting temporary privileges to a minority, they succeeded in liquidating the rest without too much fuss or bother." Every Dutch Jew who survived the death camps, Dr Presser relates, was forced to betray someone, to leave another to his sorry destiny. It was the fate of the survivors to have to live with their consciences thereafter.

Ashes To The Wind reminds us that while, today, we are prone to invoke the Holocaust as a morality tale, it was an event blemished sometimes by ambiguity and amorality.

Patrick West