Germany: don’t onlymention the war
From Bratwurst to Brecht, the BBC’s German season was a welcome change from British TV’s obsession with Nazis.
Saturday, 18 December 2010
in spiked, December 3, 2010
From Bratwurst to Brecht, the BBC’s German season was a welcome change from British TV’s obsession with Nazis.
Thursday, 18 November 2010
in Culture Wars, November 18, 2010
Stranger friends
A Short History of Celebrity, by Fred Inglis (Princeton University Press, 2010)In many respects the 20th century saw an extension, not a revolution, in the way public figures were regarded. The likes of Jackson Pollock and Tracey Emin continued where Reynolds left off. After Byron has come a multitude of stars from James Dean to Pete Doherty, whose embrace of the Dionysian has enthralled and appalled.
Monday, 15 November 2010
Thursday, 11 November 2010
From The Catholic Herald, November 5, 2010
A demonic scheme to destroy the Dutch Jews
Reprinted from The Catholic Herald
By Dr Jacob Presser
Souvenir Press, £15
In the popular imagination, when one thinks of the fate of Dutch Jewry in the Second World War, the lives of Anne Frank, Edith Stein and Charlotte Saloman spring to mind. More recently, Paul Verhoeven's 2006 film Zwartboek (Black Book) has raised consciousness as to the miserable fate of Jews in Holland during that conflict.
Although Zwartboek received many awards and accolades internationally, reaction to it in The Netherlands was decidedly mixed. This owed to the fact that the movie was a tale of ambivalence, in which not all Germans were portrayed as evil, many Dutchmen were showed as being complicit with the Nazis, and in which some Jews were depicted as collaborating against their own people to save themselves. By eschewing a Manichaean narrative, Verhoven's film proved difficult to digest among compatriots who wanted to believe that their grandparents had behaved better.
Ashes in the Wind, first published in 1965 and released in a new edition, had a similar effect on the reading public. Its central theme is that war can make good people do bad things, and how ideology can make good people behave with appalling inhumanity - and not just the perpetrators of an ideology, but sometimes its victims, too.
In a world where the boundaries between good and evil are perennially questioned and doubted, the Holocaust is often invoked as an ethical reference point, to affirm that morality is not perspectival and provisional. This is one reason why discussing the Holocaust has become problematic. But long before postmodern historians and far-right anti-semites came to be accused of belittling the Holocaust, Dr Presser - a Dutch Jew who survived the ordeal - reminded us that we cannot comprehend this catastrophe with childlike simplicity.
The Jew/German Nazi dichotomy collapses here on many fronts. It was not only Nazified Germans who were responsible for effecting the Holocaust, such as the concentration camp Kommandant who gave his son fifty Jews for target practice as a birthday present, but ordinary Germans who sank to levels of barbarity. In the Amsterdam house raids of July 1942 "German female employees hung out of the windows taking snaps for their albums and, judging by their screams of laughter, were having a highly enjoyable time; several German police officers joined in the merriment, which increased to hilarity when a young Jewish women, suddenly wrenched away from her pram and child, had a fit of hysteria".
Elsewhere, there are tales of German remorse (or at least displays of it): the Commander of German Security Police and Head of Zentralstelle consulting a rabbi, cursing "the fate that had put him in this predicament", or of a German soldier "who got drunk every night to forget his part in gassing Jewish children in trains. He could not put it out of his mind and kept thinking of his own five children."
Additionally, the Germans did not regard "the Jews" as a coherent ethno-religious group. They showed little interest in monitoring and rounding up the "Portuguese Jews" (presumably, Sephardi), which adds weight to the argument that Nazi anti-semitism was racially, rather than religiously, inspired. Indeed, the Christian churches mostly conducted themselves courageously. The Catholic hierarchy constantly spoke out against the incremental measures taken against Dutch Jews. The Lutheran Church was somewhat less forthcoming. But the real heroes of the appalling episode were the Calvinist Dutch, who, the Nazis complained, sided with Dutch Jews at every opportunity for " 'so-called' reasons of conscience". (Many Gentile Dutch men and woman were as brave as to display solidarity by wearing yellow stars; still, Holland had the highest collaboration rate of all the German-occupied European countries). Perhaps this denomination's resistance can be partly explained culturally, in that Calvinists, who traditionally shunned idolatry and ritual, may have been immune to Nazism's seductive use of icons and lavish ceremony.
There was cleavage within the Jewish community, too. In the transit camps antagonism arose between Dutch Jews and German Jews, the latter accused by the former of "behaving like a caste, an oligarchy... and [who] far too often showed a 'German' predilection for bossing people about". There were even Jews who remained members of the Nationall-Socialistische Beweging in Nederland, a Dutch political party that may have not have began as anti-semitic, but by 1940 certainly had become so.
In this essential work, Dr Presser directed his most concentrated opprobrium towards the Jewish Council of Holland itself. German Nazis were objectively the villains here, of course; but he intimates that the Jewish Council's betrayal of its own people was ethically even less defensible.
The Nazis sought to get rid of the Jews by stages, with little disruption as possible. To do this they need co-operation from the victims themselves. The invaders followed threats and instructions with concessions, and the Jewish Council duly appeased, hoping that by sacrificing a few the majority could be saved. This ingoing game of cat and mouse had a salami-slice effect on the community, which withered. The Nazis had established a daemonic scheme which had chilling consequences, and that "by granting temporary privileges to a minority, they succeeded in liquidating the rest without too much fuss or bother." Every Dutch Jew who survived the death camps, Dr Presser relates, was forced to betray someone, to leave another to his sorry destiny. It was the fate of the survivors to have to live with their consciences thereafter.
Ashes To The Wind reminds us that while, today, we are prone to invoke the Holocaust as a morality tale, it was an event blemished sometimes by ambiguity and amorality.
Ashes To The Wind reminds us that while, today, we are prone to invoke the Holocaust as a morality tale, it was an event blemished sometimes by ambiguity and amorality.
Patrick West
Saturday, 6 November 2010
Wednesday, 3 November 2010
From The Catholic Herald, September 24, 2010
This was a PR disaster for atheism
Full text of an article that appeared in The Catholic Herald
Well, I think we can safely say that the Pope's visit to Britain was something of a triumph. The vast numbers who came to greet the Holy Father dwarfed the coterie of angry atheists who came "to protest" him. And as much as I regret to admit it, the whole affair has proved to be something of a public relations disaster for atheism.
Some reasons for this are obvious. There was the shrill invective of the likes of Richard Dawkins and A.C. Grayling, who both continue to ignore the first rule of proselytising, in that you are not going to win friends or influence people if you call them horrid names all the time. There was also the idiotic innuendo about the Pope being a Nazi; calling someone a "Nazi" is invariably a substitute for seeking to refute their arguments. And it's juvenile. "You're just like Hitler!" is the kind of cry made by teenagers when told to tidy their bedrooms.
Moreover, there was the omnipresence of celebrities giving their two pence worth. You always know there is something suspect about a cause when it is endorsed by actors and pop stars.
The garrulous Stephen Fry was the best-known culprit, referring to the Vatican thus: "It is a rump accident of history that this place has an autonomous, or autocratic, absolute monarchy of one organisation". This line, that the Vatican is not a real country, and consequently that the Pope didn't merit a state visit, was bandied around routinely. But it ignores the fact that no states are essentially natural, and that the creation of the Vatican City in 1929 only gave back to the Holy See what had been taken away from it in 1870, when the Papal States were incorporated into a united Italy.
Then there was the singer Sinead O'Connor calling for the entire Catholic hierarchy to resign over child sex abuse. The comedian Stewart Lee, the fantasy writer Terry Pratchett and restaurant critic Jonathan Meades also voiced their opposition to the visit on the grounds of the Pope's views abortion, condoms, human rights... you know the rest.
People often bemoan our "celebrity culture" as manifest in tabloid newspapers and magazines such as "Hello!" and "OK!". We are told that it is vacuous, and resembles a kind of ersatz religion. I don't think in itself this is a bad thing. People need their circuses as well as their bread. And it is not necessarily a new thing. People gossiped as much about Nelson's affair with Lady Hamilton and George IV's disastrous marriage to Caroline of Brunswick as much as they discussed their roles as statesmen. In his day Joshua Reynolds was as much a celebrity as he was a painter.
What is novel and objectionable, roughly since Jane Fonda's opinions on the Vietnam War were given publicity, is the notion that we should take seriously the opinions of performers. After all, actors are, literally, professional liars: they earn their living by pretending to be someone they are not. Comedians and fiction writers are by definition fantasists. These people shouldn't be allowed to vote, let alone be indulged by the media so generously.
I had hoped the marvellous 2004 film "Team America: World Police" had put an end to all this nonsense. The movie lampooned the self-importance of actors and their political opinions, featuring marionettes representing the likes of George Clooney, Susan Sarandon and Sean Penn, all parroting left-liberal, anti-American dogma. It featured a grotesque representation of the film maker Michael Moore, whose rampant egomania was not too far removed from the real thing. In it we had Penn's character declare: "Last year I went to Iraq. Before Team America showed up, it was a happy place. They had flowery meadows and rainbow skies, and rivers made of chocolate, where the children danced and laughed and played with gumdrop smiles".
It was not a particularly partisan film. It also satirised America's aggressive and reckless foreign policy (all the best satire targets both the Left and the Right, from Jonathan Swift to Monty Python.) "Team America"'s essential message was that the US was wrong to invade Iraq, yet it was equally wrong for us to listen to the opinion of Hollywood stars. It should be mandatory viewing for anyone who assumes that people who appears on television are automatically conferred special wisdom as a consequence. We should pay no more attention to Stephen Fry's views on Catholicism than Mel Gibson's pseudo-Catholic reflections.
Ultimately, the Pope's visit was a triumph because it demonstrates that people full of resentment, self-pity and spite are unappealing, where as Benedict, who exuded humility and grace, put a smile on millions of faces. You don't have to be religious to recognise this basic lesson in human nature: be nice and people will like you.
in The Times Online, August 26, 2010
Articles of Faith: Ireland and The Angelus
The Republic of Ireland's transformation from a predominately Roman Catholic country into a broadly agnostic and multi-religious one has been well-documented in recent years. This, however, has not been to the liking of the many practising Catholics, who suspect this transition has been exaggerated, and who also feel secularists have been overbearing in their crusade to purge Ireland of the vestiges of its religious past and present. A microcosm of this debate can be witnessed in the quarrel about the existence of The Angelus on radio and television.
Predominately a Catholic devotion, The Angelus is broadcast at noon and 6pm daily on Raidio Teilifis Eireann's (RTE) flagship television and radio stations. Consisting of a bell chiming languorously, and for decades accompanied by Catholic imagery, The Angelus celebrates 60 years on RTE this month. And the debate about its place on a publicly-owned broadcaster is almost as old as the broadcast itself.
Its existence continues to irk secularists who perceive it as an anathema and anachronism, especially as RTE is state-funded; it vexes Ireland's campaigning atheists much for the same reasons BBC Radio 4's Thought For The Day antagonises Britain's. Michael Nugent, chairman of Atheist Ireland, believes that The Angelus is little more than a free advert for the Church. "If RTE was to broadcast a minute of atheist propaganda at prime time every day, most people would intuitively realise that this would be inappropriate," Nugent asserted last week. "In a religious state, the state broadcasting system would be promoting religion. In an atheist state, the state broadcasting system would be promoting atheism. In a secular state, it would do neither".
Former Ulster Unionist leader David Trimble once quipped that Southern Ireland was the only country in Europe in which the six o'clock news began at one minute past the hour. Yet the vitriol levelled at The Angelus has become more acute recently as Ireland has become less religiously observant - and certainly as attacks on the Church itself have become commonplace. Revelations of child abuse by the clergy have persisted here since the early-1990s and the country continues to have chronic episodes of anti-clericalism.
RTE has sought to ameliorate objections to The Angelus by making it more "inclusive". Its television version was rebranded last September so that traditional images of old master paintings and of the Virgin Mary were replaced by "visual reflections" - featuring among others, a working fisherman, a grieving mother and Zambian office workers - designed, according to RTE religious programmes editor Roger Childs, to take time out from "the weariness, the fever and the fret" of contemporary life. "With this new series of The Angelus we are seeking to reflect modern Ireland while still retaining the integrity of the original broadcast some 49 years ago."
This has riled secularists further. "Recent attempts to soften its impact, by illustrating it with nonreligious images and rebranding it as a pause for reflection, simply make it worse," writes Nugent. "This suggests that people of all religions and none can unite under a Roman Catholic call to prayer." The Catholic community seems to have accepted the reinvention - which has seemingly reinterpreted a religious call to prayer as an ersatz television advert for bubble bath lotion - grudgingly.
If, however, the new incarnation of The Angelus seeks to reflect modern Ireland, so does the discourse employed by its detractors. I caught a debate on a Dublin radio station last week in which the claim was made that it is "offensive" to agnostics, atheists and those of other faiths. The accusation that it is "offensive" is a common one, and indicates that many who would otherwise call themselves children of the Enlightenment are just as guilty of turning the political into the personal, of appealing to emotion not reason, of employing the language of victimhood. "I find that offensive" is code for "you can't say that", a censorious plea unbefitting for those who often cite Voltaire with such reverence. Seeking to abolish something because it hurts your feelings, or because you find it aesthetically displeasing, is a profoundly irrational argument.
What is more, as with comparable debates over race, religion, culture and ethnicity in Britain, those deemed to feel "offence" in these matters often feel nothing of the sort. The Clonskeagh Mosque in Dublin, the Church of Ireland broadcast committee and the outgoing Chief Rabbi have voiced their support for The Angelus's continuation on RTE. Ali Selim, based at the Islamic Cultural Centre of Ireland, Dublin, told the BBC: "We see it as something that belongs to people of another faith," remarked Selim, who arrived in Ireland from Egypt in 1999. "If it is exclusive for Catholics, then what's wrong with that? Muslims have their prayer call and it is exclusive for them."
"The secularists pretend that Protestants, Muslims, Jews find The Angelus offensive. When you actually ask them they say 'not me'," David Quinn, former editor of the Irish Catholic and now head of the Iona Institute, told me. The campaign to seek its abolition, he says, is "equivalent to having a guest in your house and taking down every picture unless you offend them."
As it transpired, protests against The Angelus this year have been pianissimo, and I predict that it will be on the Irish airwaves for many years to come. It will be for the same reason that many pillar boxes here still bear the monograms of British monarchs, or that you can still find The Royal Irish Academy and Royal Dublin Society in a republic that hasn't had a monarch since 1948. The Republic of Ireland might be a post-Catholic, and post-colonial, country, but this doesn't mean everyone wants to eradicate its culture and history in a pique of literal-mindedness.
The Angelus is comparable to the 1701 Act of Settlement prohibiting Catholics from the English throne: logically indefensible, but in the wider scheme of things, a trifling and harmless anachronism. Militant secularists could well use a dose of common sense sometimes, and certainly stop getting things out of proportion.
Thursday, 26 August 2010
in spiked, August 26, 2010
A blend of Miss World and Mastermind, the Rose of Tralee’s appeal defies the snobbery of the Dublin 4 set.
Friday, 20 August 2010
in spiked, August 20, 2010
Thursday, 19 August 2010
Tuesday, 1 June 2010
in forth, June 1, 2010
England? No
PATRICK WEST says Irish football fans shouldn’t be cheering on England come the World Cup—and it has nothing to do with Anglo-Irish relations
It has become a vexed biennial question of recent years: with Ireland having failed to qualify, should the Irish instead lend their support to England in a major soccer tournament?Among right-thinking people, the answer to this query is usually 'yes'. The consensus seems to be that in doing so, the Irish people would be displaying maturity and confidence - in happy contradistinction to the petty and anachronistic nationalism that poisoned Anglo-Irish relations in the second half of the twentieth century. 'The "English" are a close neighbour and friend and their country is home to seven million Irish who are almost certainly England supporters,' wrote one correspondent to the Irish Independent four years ago. 'The year is 2006, not 1798 or 1916, and the English always support the Republic. Many people in the Republic do support England, as reflected in the BBC's large share of the TV audience (170,000) from the Republic.'It would also demonstrate that Ireland no longer has an inferiority complex. This was a prominent theme made especially after 1996, when the Republic of Ireland's GDP per capita overtook the UK's, and in the subsequent era of the 'Celtic Tiger'. 'Years ago the reason given for such unsporting churlishness was "the 800 years of misery and oppression".' wrote Carol Hunt in the Sunday Independent in 2006. 'But nationalism is about as fashionable as socialism to the new Celtic Tiger generation. Even the GAA, that bastion of anti-English sentiment, has had to relent and admit that times have changed.'Yet, I can't help feeling that people who forward such arguments don't really understand football. By this, I don't mean the technicalities of the sport itself, but its ritualistic role in society and culture. Although I have an Irish mother and hold an Irish passport, I am culturally English and mostly call myself an Englishman. However, were I full a Irishman, I would dearly be hoping Fabio Capello's men a swift and disgraceful exit from the World Cup in South Africa.This is because football is not properly real life. At least, it occupies a strange no man's land between reality and fiction. It is theatre without script. Roland Barthes made a similar point about wrestling half a century ago, yet it still irritates me to hear football illiterates bemoan the torrents of abuse and invective they hear from the terraces of soccer stadiums. Synthetic hatred is intrinsic to the ritual, and hating your local rivals is an elementary component to the system. 'Your going to get your fucking head kicked in' is a completely different statement when chanted on the terraces as opposed to said to a bypasser on the streets - just as punching a stranger in the face is acceptable in the boxing ring and unacceptable outside it.Asking the Irish to back England is akin to expecting Manchester City fans to support Manchester United in the Champions League final. Sporting ignoramuses don't comprehend the notion of ersatz hatred - nor the idea that in sport familiarity breeds not solidarity but contempt. Those who employ the argument that 'England and Ireland share so much common culture, history and blood ties in opposition to continental Europeans' might as well ask Rangers fans to cheer on Celtic on account of both sides sharing a Scottish culture.A similar argument goes that because many English people cheer on Ireland as a second team (which was manifest acutely on my side of the Irish Sea during the 1994 World Cup finals), wouldn't it be polite to return the favour? This misses the point that England are a bigger side. For instance, there are many fans of Chelsea who would likewise patronisingly lend their support to their smaller west-London neighbours Brentford should they ever embark on an (unlikely) successful FA Cup run. But Brentford fans would be unlikely to reciprocate automatically. They certainly wouldn't do so towards more highly-placed West London sides such as Fulham or Queen's Park Rangers - the hatred Brentford fans possess towards them is not mutually felt. The truth is that when an Englishman declares his support for the Republic of Ireland, he is metaphorically patting dear old Paddy on the head.Of course, you can not divorce politics and history from football. Those who urge the Irish to back England are acting in commendable sincerity, in that they would like to see the relative calm in the North in the last 12 years mirrored among sports-loving spectators in the pubs and bars of Ireland. But that misses the whole point: confusing football with politics is the chief fallacy. That was the problem with the GAA for decades, and same the reason why Lansdowne Road was vandalised in 1995 by some far-Right English morons.Essentially, mistaking football for reality is a categorical error (which, incidentally, is why the Eurovision Song Contest is in such a comparable mess). This is the mistake soccer hooligans make, who interpret defeat on a sports field to represent some slight on their character, area or tribe. It's the same fallacy made by those who send hatemail to the likes of Neil Lennon or Sol Campbell for having the temerity to sign for the 'wrong' side, or got David Beckham's lapse of judgment in the 1998 World Cup so wholly out of proportion. Indeed, we witnessed a comparable outburst after Thierry Henry's 'goal' last November which sent sections of Ireland into spasms of Francophobia. If much of it was meant to be tongue-in-cheek, a great deal of the reaction was disproportionate and bizarre - akin to my countrymen's reaction to that 'goal' by Maradona in 1986.So it's a bit ironic that well-meaning commentators in Ireland now do the same every two years. Let's not take real-life pantomime too seriously. Football is only a game. Which is why I hope and expect you will be praying for England's ignominious downfall in South Africa later this month.Patrick West is author of Beating Them At Their Own Game: How The Irish Conquered English Soccer (Liberties Press, 2006)reproduced from forth.ie 01/06/2010
Thursday, 8 April 2010
Friday, 2 April 2010
Wednesday, 17 March 2010
Saturday, 13 March 2010
Friday, 5 March 2010
in spiked March 5, 2010
Why everyone laughs at Canada
With giant beavers and Alanis Morissette, the closing ceremony of the Winter Games was a feast of stereotypes.
Thursday, 25 February 2010
Tuesday, 23 February 2010
Friday, 19 February 2010
Monday, 8 February 2010
Friday, 15 January 2010
Friday, 8 January 2010
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