Showing posts with label Black Lives Matter. Show all posts
Showing posts with label Black Lives Matter. Show all posts

Wednesday, 7 October 2020

Wokeness is a cult of purity - Spiked, September 4, 2020


 

Wokeness is a cult of purity

They believe cultures cannot mix and that good people must be punished for the most minor transgressions.

Patrick West



It’s a sign that normality has returned in earnest: the trivial transgression of cultural appropriation is back in the news headlines. No doubt you will have seen the story. The singer Adele has been accused of this outrageous violation after appearing in a virtual Notting Hill Carnival photograph sporting a bikini top emblazoned with the Jamaican flag and with her hair in Bantu knots, a hairstyle mostly associated with African women or women of African descent.

We are back on familiar ground, back to the notion that any form of intercultural interaction, especially undertaken by white people, is inherently racist and offensive. Some did defend Adele on the grounds that being a native of Britain’s multiracial capital city, she knew exactly what she was doing, and was less engaging in appropriation and more appreciation. Yet the affair reveals how tenacious remains the notion of ‘cultural appropriation’.

This popular conceit is profoundly ignorant and illiterate. All cultures are cross-breeds to some degree. I write these very words in a language that is a mash-up of Anglo-Saxon and Old French. English combines the language of the oppressed and oppressor. I punch up and down merely by typing these words.

Yet the resilient belief that cultures are sacred and incorruptible is significant. It is a symptom of a new morality of purity, a culture of cleansing and of new boundaries.

As Frank Furedi argues in his recent book, Why Borders Matter: Why Humanity Must Relearn the Art of Drawing Boundaries, our culture’s borders have shifted focus in recent decades. Traditional boundaries between nation states are deemed archaic or undesirable by some. The boundary between male and female is collapsing, as is that between gay and straight, adult and child, public and private. Transgression is the name of the game.

Or so it seems. Boundaries themselves aren’t vanishing — rather, our culture has erected new ones. One example is this boundary between cultures, which are now viewed as akin to animal species that cannot interbreed. Cultures are deemed in need of inoculation from each other. Hence the felony of ‘cultural appropriation’. Furedi also points to ‘safe spaces’, which erect a different type of boundary, as does ‘cancel culture’, which divides mankind into two categories: the elect and the outcasts.

In the United States, there is talk of introducing racial segregation on university campuses. This reification of race – between people of the same species – is but another extension of the new quasi-religious imperative to purify, simplify, to erase nuance, subtlety and shades of difference. Such is the forensic fanaticism and fundamentalism of the new puritanism that even the most tiny transgression, or ‘microaggression’, must be identified and exorcised.

This purity cult seeks to expunge society of those who fail to obey woke diktats, to cancel, ‘call out’, shame, intimidate, harass or punish the undesirables. Liberal humanism is derided as insufficient. It is not enough to tolerate people we disagree with. They must conform or be expelled. Hence the violence in America at the moment, from the puritan stormtroopers of antifa and BLM, who demand strangers show obedience and compliance, who are literally destroying America. In pulling down statues, they betray how they want to erase history itself. It’s all classic Year Zero behaviour, worthy of a cult, of which the new puritanism is but an extension.

It is often remarked that people are far more intolerant these days, and seek recourse to censorship so freely. It derives from this new morality, which can’t abide impurity and cannot tolerate difference or dissent.


The new morality worships purity. The new boundaries are the means by which this doctrine is enforced.


John Williams: the great classical composer of our time

What a joy it was to listen to Classic FM’s ‘Movie Music Hall of Fame’ throughout bank holiday Monday. It was an escapist fantasy. John Williams’ score for Schindler’s List was eventually voted the nation’s favourite piece of film music, knocking from the top slot Howard Shore’s score for The Lord of the Rings.

It was a triumphal day for Williams all round, with five entries in the top 20 alone, the others including Star Wars, Jurassic Park, Harry Potter and the Philosopher’s Stone and ET the Extra-Terrestrial. Surely John Williams should be recognised as our greatest living composer.

Purists might object that his music is highly derivative, with his scores being conspicuously reliant on Prokofiev, Stravinsky and Elgar. This is true. Yet Williams, not to mention Shore, John Barry, Hans Zimmer, Ennio Morricone and so on, have produced some of the best-loved and most enduring classical music of the second half of the 20th century and first two decades of this one. Their music has proved more lasting than anything produced by mainstream modern classical composers. Film scores today are the only form of new classical music that enjoy popularity among the masses.

Most of the new material performed at the Proms this year will be forgotten in 10 years’ time. By then the Classic FM Movie Music Hall of Fame won’t have changed much at all.


We all have bad thoughts

The singer George Ezra has revealed that he is suffering from a form of obsessive compulsive disorder (OCD) known as ‘Pure O’, short for ‘purely obsessional’, the symptoms of which include distressing or disruptive thoughts associated with OCD, but none of the physical actions to relieve them, such as internal counting, blinking or other repetitive physical rituals.

Upon reading the confession, I began to suspect that I, too, had ‘Pure O’. I have three classic psychological OCD symptoms: hoarding, repeated checking of door locks or oven knobs, and indeed disruptive thoughts.

I’ve always had all sorts of strange and unpleasant thoughts. But no one is in charge of their subconscious, and who governs what might spring from it unannounced, so I’ve learnt not to hate myself for such thoughts, just as most of us eventually don’t blame ourselves for the weird and horrible things we do in our dreams.

My most common disruptive thought is the temptation to throw myself in front of an oncoming train or from a tall building. But again, many of you will have had this temptation. It’s a common cause for fear of heights, and not remotely connected with actual suicidal thoughts.

Most of us have strange thoughts from time to time. Most of us have some form of OCD, in which case we should accept that behaviour associated with it is otherwise known as ‘being human’.

Why so many BLM ultras are white - Spiked, July 3, 2020

Why so many BLM ultras are white

The race wars they are stoking won't blight their affluent neighbourhoods.

Patrick West



Many people have made the observation that most Black Lives Matter activists aren’t actually black. To judge by television coverage, photographs and YouTube videos, most BLM protesters indeed seem to be white, middle-class students. In a further paradox, it is becoming more evident by the day that many black people and ethnic minorities vehemently oppose BLM.

On Tuesday, the black comedian and actor Terry Crews, known to UK viewers from E4’s cop comedy Brooklyn Nine-Nine, warned that Black Lives Matter shouldn’t morph into ‘Black Lives Better’. The devout Christian tweeted: ‘If you are a child of God, you are my brother and sister. I have family of every race, creed and ideology.’ Crews was consequently subject to online denunciation, which is not surprising, as he was essentially saying that all lives mattered – a sentiment that infuriates BLM advocates.

Closer to home, this week also saw the mixed-race former footballer Karl Henry publicly call into question BLM UK. ‘I think the majority of the UK have now had enough of that organisation’, he tweeted. ‘Black people’s lives matter! The divisive #BlackLivesMatter organisation, however, DOES NOT!’

Another British mixed-race former sportsman, Matthew Syed of The Sunday Times, asked of BLM whether ‘toppling another statue’ will ‘help the black person cowering from gangs in a drug-infested neighbourhood, the graduate denied promotion because of unconscious bias, the child growing up without hope in a tower block?’.

While in Britain we have the brave Trevor Phillips, in Australia one of the best-known detractors of woke politics and BLM is the journalist and television presenter Rita Panahi, who this summer has described BLM as ‘anti-police, anti-white, anti-capitalist but also proudly neo-Marxist’.

America’s veteran conservative writer Dinesh D’Souza has said that ‘the left has deployed a paramilitary’ in militant anti-racist protesting. ‘It’s not just Antifa. It’s all the other groups: Refuse Fascism, Black Lives Matter, and on it goes… This is something that Mussolini had, the black shirts… A roving band of thugs that are protected by powerful people in Hollywood [and] the media.’

It’s not only conservative ethnic-minority voices who reject BLM. Last week Africa’s elder stateswoman, the politician and humanitarian Graça Machel, formerly of Mozambique’s freedom movement and widow of Nelson Mandela, criticised BLM’s tactic of pulling down statues of slave-owners. They should remain, to ‘tell generations to come, this is how it started, and this is how it never should continue to be’.

In Britain, Sir Geoff Palmer, Scotland’s first black professor, has campaigned for years for explanatory plaques to accompany statues of slave traders. He believes toppling monuments will only erase the memory of their crimes against humanity: ‘You remove the evidence, you remove the deed.’ Indeed. Many black Americans have this summer come out in defence of the Emancipation Statue in Washington DC, paid for by freed slaves.

This paradox veers into genuine irony. Witness the spectacle of a white man attacking a black man for trying to remove BLM posters from a fence. Observe the white man scream at his uppity, negro inferior.

What’s behind such dissonance between whites who think they know best for blacks, and many blacks who disagree? Why are there black people proposing constructive ways of dealing with the past, but nihilist woke white protesters hellbent on destruction of statues, and capitalism itself, who offer no vision and no future?

It’s because for black people racism is a real-life everyday potential experience. It may not be as bad as times past, and race relations are worse in the US than the UK, but racism remains in black folk memory and its shadow is always there. Hence the real desire to educate and to offer positive solutions that encourage mutual understanding and erase superficial differences. Many black people are also more concerned about the present than the past: in 2018, 2,925 black people were murdered in the United States, 2,600 of that number by other blacks.

For Black Lives Matter – the very name epitomises its philosophy of division – it’s all a bit of a posture and a pastime. Racism rarely affects white liberal twentysomethings. But street protests do afford a feeling of righteousness, an opportunity to virtue-signal, to satiate that young man’s power-lust and feeling of importance – and to alleviate the boredom of lockdown. The white BLM protesters don’t think about the dangerous consequences of their actions or politics because they won’t be affected by them. The race wars that they are stoking won’t blight their affluent all-white neighbourhoods.

Black Lives Matter are dangerous narcissists whose driving force is self-aggrandisement. Let’s hope the tide really is turning against them.


There’s nothing racist about White Jesus

The Archbishop of Canterbury, Justin Welby, has called for a review to decide which representations of Jesus should remain in Anglican cathedrals and churches, given that most of them portray Christ as white and north-European looking, whereas he was Middle Eastern.

This literal-mindedness is dubious – and for the church, dangerous. Christ is white in most churches because, before Windrush, so was England. Religious icons are always traditionally portrayed in accordance to the ethnicity and culture of worshippers, with Jesus being black in Sub-Saharan Africa, Filipino in the Philippines and resembling previous depictions of Zeus in Greece.

Most cathedrals were built in the Middle Ages, when most people didn’t even leave their hometown in their lifetimes let alone travel to the Middle East. There was very little comprehension of there being people who weren’t white.

The archbishop’s literal-mindedness sets a perilous precedent. If Jesus should be rendered ‘realistic’, should the Bible be rewritten to make it historically accurate?

I really wouldn’t recommend going down that path. The ‘virgin’ Mary was originally the ‘maid’ Mary, and Lazarus was returned from social ostracism, not brought back from the dead. Such are the legion translation mistakes from the Hebrew to the Greek.


The real reason there aren’t more women on Mock the Week

The female comic Katherine Ryan has attacked the gender tokenism on BBC panel show Mock the Week.

I can explain why the programme has always been dominated by men, despite efforts in recent years to introduce more gender balance. It’s because the format of the programme is competitive, and men are more competitive than women.

It’s also because on average men are funnier than women. As Camille Paglia famously argued, men are given to extremes: there are more men of genius for the same reason most serial killers and lunatics are male.

Comedy is fundamentally about cruelty or the distortion of reality: it appeals to the dark side of humanity found mostly in the male of the species.


The summer we all went mad - Spiked, June 26, 2020




The summer we all went mad

The Black Lives Matter hysteria is this generation’s Diana moment.

Patrick West



The summer of 2020 will probably be remembered as the season in which everyone went mad. The root cause for this is the lockdown implemented to stem the coronavirus, which has generated feelings of frustration, powerlessness, loneliness and restlessness, feelings that in turn have been transformed into bad-tempered attention-seeking and ostentatious displays of moral purity. The current convulsions of anti-racist boasting have been the most egregious consequence of the virus pandemic.

From corporations issuing historical apologies for their part in the slave trade to the defacement of statues, from violent weekly Black Lives Matter demonstrations to police and footballers ‘taking the knee’ to demonstrate their solidarity with the anti-racist cause, sanctimonious anti-racism has become this summer’s mania.

Inevitably, as with Remembrance Day poppies growing larger and being displayed earlier each year, the eagerness to display one’s caring or ‘woke’ credentials has escalated and become ever-more vociferous and competitive. Some anti-racist campaigners have graduated from taking the knee to giving Black Power salutes. Others have declared their new icon to be the awful Louis Farrakhan. While tea manufacturers are implored to declare #solidaritea, Sky News and the BBC are locked in a contest as to who can can out-anti-racist the other. Meanwhile, the foaming and shrieking on Twitter – the intemperate denunciations – become louder and more sulphurous every day.

The London mayor, Sadiq Khan, has established the Orwellian sounding Commission for Diversity in the Public Realm to review which statutes in the capital should remain. While some police officers decide to take the knee in order to quell volatile crowds, Hertfordshire Police now insist that its officers do so. Every football game not only begins with the taking of the knee, but every player bears on his shirt the legend ‘Black Lives Matter’. We’ve got to the bizarre stage now that a veteran, black anti-racism campaigner – Trevor Phillips – is denounced by white, middle-class wetpants liberals as an ‘Uncle Tom’ for having the temerity to suggest that Britain is the best country in Europe to be black.

A sure barometer of something becoming a hegemony, which ‘woke’ ideology has undoubtedly become, is the manner in which dissenters or non-conforming voices are treated. So witness the fury and outrage on Monday night when some Burnley supporters hired a plane to fly over Manchester City’s Etihad Stadium, with a banner pronouncing ‘White Lives Matter’. Naturally, within hours the police said they were getting involved. Of course they were. To counter-protest in this febrile atmosphere of white, liberal-left grandstanding and fawning self-hatred that ‘White Lives Matter’ is an appalling and offensive blasphemy. Of course white lives don’t matter. Everything is the fault of white people and their privilege.

The vehemence of the outrage, and, more to the point, the ostentatious apologies by faux-guilty white people, is telling. Ben Mee, the Burnley captain, said he was ‘ashamed’ and ’embarrassed’ by the incident. Like Greene King, Lloyds of London, Barclays Bank and the Bank of England apologising for the sins of their ancestors, the Burnley captain issued a mea culpa for something he didn’t actually do.

Apologising for something you haven’t done yourself takes no emotional investment, but it does serve the purpose of drawing attention to yourself and making you appear noble and virtuous. And this is the essence of so much loud anti-racism at the moment – certainly among white liberals: it’s good old-fashioned virtue-signalling, coupled with fear and conformism. What footballer would dare refuse to take the knee? What corporate head would appear on television to pronounce that he had nothing whatsoever to do with slavery and was not for nowt going to say sorry for anything?

What we are seeing at the moment is akin to what we experience each November (but more sinister), when people compete over who can have the biggest poppy the earliest, and anyone who appears on television without one is subject to suspicion and inquisition. It resembles, too, the reaction to the death of Diana, Princess of Wales, in 1997, when a menacing air of emotional correctness pervaded the land.

Black Lives Matter 2020 is this generation’s Diana moment. This summer we have been implored to say the correct thing, to display the correct emotion, to be conspicuously compassionate. Anyone dissenting or staying silent is morally wanting, or worse: a racist. Such monstrous stupidity.


Sky Cinema’s war on the past

Much to the chagrin and irritation of many of its users, but keeping with the spirit of this summer, the Sky Cinema channel has this month started to put trigger warnings next to potentially offensive films. Movies such as Gone with the Wind and Dumbo now carry the caution that they contain ‘outdated attitudes, language and cultural depiction which may cause offence’. A Sky spokesman says: ‘Sky is committed to supporting anti-racism and improving diversity and inclusion.’

Like statue iconoclasm, Sky’s move represents today’s current hostile and superior view of the past. They did bad things then because they were racist and unenlightened. There is the implicit belief that we in 2020 have reached a plateau of enlightenment from which we can judge all previous times.

Yet morals always change and always will. History is one era in which we can genuinely talk of moral relativism. The next generation is bound to decry our one because tomorrow’s moralities will be different. Who knows what they will be. To judge by the growing popularity of veganism, my bet is that the people of 2020 will be damned for eating animals. Censorious ‘woke’ cancel culture might also be condemned for the intolerant ideology it is. And just as we deplore the brutalists of the 1960s who destroyed so much Victorian architecture, the vandalisation of statues might also come to be deplored by the more liberal people of tomorrow.


‘As the perfect afterthought Father’s Day gift, scented candles come in an arguably excessive range of aromas. Thanks to Chris Martin, lead singer of Coldplay, there is now one more.

‘His candle is called This Smells Like My Jizz. It is the companion to his two Burp brands launched last year: This Smells Like My Bellend and This Smells Like My Anus. The new model is described as “A fitting follow-up to that candle, this blend is made with human placenta, canine diarrhoea, absinthe, hemlock, essence of petunia, rhubarb, Monster Munch, two pints of cider (ice in the cider) and boiled cabbages for a scent that’s sexy, surprising and wildly addictive”.

‘Martin, 43, unveiled the candle, priced £75, on Tonight With Fucking Jimmy Carr on Tuesday.’